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[Compositions 2016]


Composition 2016.01 (Untitled)

The components of the composition consist of a short repeating sinewave-based tone pitched at C3 - a continuous tone pitched at C1 - and an un-pitched pulsing sound that occurs in the last part of the composition.



Composition 2016.02 (Untitled) 

Composition 2016.02 (Untitled) consists of two elements: an un-pitched multi-layered pulsing sound that is duplicated and panned to both left and right channels - and a repeating sound that slowly increases and decreases  in volume. 



Composition 2016.03 (Untitled)

Composition 2016.03 (Untitled) was produced digitally using FM and granular synthesis - and consists of three sounds of different lengths that slowly fade in and out of each other. 



Composition 2016.04 (Living in the Present Continuous)

Composition 2016.04 (Living in the Present Continuous) consists of two layers: a short repeating sound pitched at C3: and five fading sounds of indeterminate pitched. All of the elements are separated by periods of silence - and ring modulation has been applied to create a level of harmonic complexity. 

Composition 2016.04 (Living in the Present Continuous) was first performed at Poetronica - Curated by Pavel Zhagun - National Centre for Contemporary Arts - Moscow - 16.12.2017




Composition 2016.05 (Untitled)

Composition 2016.05 (Untitled) consists of two short repeating un-pitched sounds that are set against a slowly fading tone pitched at C1. Distortion and ring-modulation has been applied to create levels of harmonic and timbral complexity. 



Composition 2016.06 (Untitled)

Composition 2021.22 (Harry Nyquist) was produced digitally using Nyquist frequencies - and consists of three short repeating sounds set against an evolving background layer.  

Composition 2016.06 (Untitled) was first performed at the Poetronica Festival curated by Pavel Zhagun -  National Centre for Contemporary Arts -  Moscow - 15.12.2016.


It was also performed at Corpora Aliena - IKLECTIK  London - 24.03.2018