[Compositions 2016]
Composition 2016.01 (Untitled)Composition 2016.01 (Untitled) is based on a tone cell of: C2 - C3 - D#3 - and consists of repeating sounds that fade in and out of each other.
Composition 2016.01 (Untitled) was first performed at the Poetronica Festival curated by Pavel Zhagun - National Centre for Contemporary Arts - Moscow - 15.12.2016.
Album - Thoughts Are Weightless
Composition 2016.02 (Untitled) Composition 2016.02 (Untitled) consists of three pulsing sounds that slowly fade in and out of each other.
Album - Thoughts Ae Weightless
Composition 2016.03 (Untitled)Composition 2016.03 (Untitled) was produced digitally using FM and granular synthesis - and consists of a continuous pulsing element - and signature fading sounds.
Composition 2016.04 (Untitled)
Composition 2016.04 (Untitled) consists of a short repeating tone pitched at C3 - and fading sounds separated by silence.
Composition 2016.04 (Untitled) was first performed at Poetronica - curated by Pavel Zhagun - National Centre for Contemporary Arts - Moscow - 16.12.2017.
The composition was also performed at Corpora Aliena - IKLECTIK - London - 24.03.2018.
Album - Living in the Present Continuous
Composition 2016.05 (Untitled)
Composition 2016.05 (Untitled) consists of two short repeating un-pitched sounds that are set against a slowly fading tone pitched at C1.
[Compositions 2017]
Composition 2017.01 (Untitled)Composition 2017.01 (Untitled) is based on a tone-cell of C1 - C2 - D#2 - C3 - and consists of a continuous tone pitched at C1 - and fading sounds separated by silence.
Bandcamp
Composition 2017.02 (Untitled)
Composition 2017.02 (Untitled) is sparsely textured - and consists of sinewave-based sounds separated by silence.
Composition 2017.03 (Untitled)
Composition 2017.03 (Untitled) is in the form of a palindrome - and was produced digitally using granular synthesis with samples of a cello. The tone-cell consists of C - D#.
Composition 2017.03 (Untitled) was first performed at an event curated by Phil Durrant - IKLECTIK - London - 11.10.2017.
Composition 2017.04 (Untitled)
Composition 2017.04 (Untitled) was produced digitally using granular synthesis with samples of a flute - and mixes both tonal and non-tonal elements. The tone-cell for the composition consists of: G1 - C3 - D#3 - F#3 - A#3.
Composition 2017.04 (Untitled) was first performed at Corpora Aliena - IKLECTIK - London - 30.03.2019.
Composition 2017.05 (Untitled)
Composition 2017.05 (Untitled) consists of a slowly pulsing drone and alternating fading sounds. There is no allegory - metaphor - symbolism - or personal references to anything other than to the composition that exists as a thing in itself.
[Compositions 2018]
Composition 2018.01 (Untitled)
Composition 2018.01 (Untitled) consists of continually repeating tone and fading sounds that overlap each other.
Composition 2018.01 (Untitled) was first performed at Corpora Aliena - IKLECTIK - London - 23.1.2019.
Bandcamp
Album - Living In The Present Continuous
Composition 2018.02 (Untitled)
Composition 2018.02 (Untitled) is sparsely textured - and consists of a continually repeating tone and fading sounds. The composition is third in the series of Object World compositions that were produced over a eight-year period from 2010 to 2018. The compositions comprise a set of variations - and consist of shared material - with repeating elements that echo each other.
In philosophy - the “object world” can be understood as the external reality that exists independently of our perceptions, thoughts, and consciousness. It refers to the realm of tangible and intangible entities, including physical objects, abstract concepts, and everything that exists beyond the boundaries of individual subjectivity.
Bandcamp
2018.03 (Untitled)
Composition 2018.03 (Untitled) is based on a tone-cell of C - D# - and consists of a continually repeating tone with fading sounds.
Bandcamp
Album - Empty Rooms
Composition 2018.04 (Untitled)
Composition 2018.04 (Unknown Metaphysics) is sparsely textured - and consists of three repeating sounds - pitched at C2 - C3 - and C#3 - separated by periods of silence.
Album - Today Comes From Yesterday
Composition 2018.05 (Violin Stories)
Composition 2018.05 (Violin Stories) was produced in collaboration with the Serbian musician and sound artist Manja Ristić - and is based on samples of a violin.
In the words of Manja Ristić: Composition 2018.05 (Violin Stories) was conceptualised with pre-recorded violin samples by Manja Ristić. Processed violin sounds build a meditative atmosphere inviting us into a deep listening experience. Suggested by "sonic breathing", drone-like fluctuations and spatial extensions with overall minimal sound movement - and allude to altered state of consciousness that transcend the alteration of space-time perception. The organic sound of the instrument is wrapped in a digital net developing a dense, almost material sonic body.
Composition 2018.08 (Violin Stories) was first performed at Poetronica - Curated by Pavel Zhagun - National Centre for Contemporary Art - Moscow - 21.04.2018
Bandcamp
[Compositions 2019]
Composition 2019.01 (Untitled)Composition 2019.01 (Untitled) was produced using physical modelling synthesis - and is based on a tone-cell of C1 - C2 - E2 - G2 - D#3. The tones appear in forty tetrachorda - each with a common tone of C (either C1 - C2 - C3 or C4).
Composition 2019.02 (Untitled)
Composition 2019.02 (Untitled) consists of two repeating tones - pitched at C2 - and D#2 - and fading tones at C2 - C3 - and C4.
Composition 2019.02 (Untitled) was first performed at XOLO Space Generators #3 - Curated by Edward Griffiths - London.
Composition 2019.03 (Untitled)
Composition 2019.03 (Untitled) is based on a tone-cell of C3 - F#2 - and consists of noise-based fading sounds separated by silence. At the end of the composition there is a repeating message-like ‘signal’.
Composition 2019.03 (Untitled) was first performed at Corpora Aliena - Iklectik - London - 13.07.2019.
Bandcamp
Composition 2019.04 (Untitled)Composition 2019.04 (Untitled) consists of short bell-like sounds produced by using FM synthesis - and longer fading tones pitched at C1 - C2 - and C3.
Bandcamp
Composition 2019.05 (Untitled)
Composition 2019.05 (Untitled) consists of two drone elements - one increasing in pitch from C1 to C2 - and one that decreases in pitched from C2 to C1. In addition - that are fading tones pitched at C3.
Composition 2019.05 (Untitled) was first performed at the Sonic Electronics Festival - Curated by Laura Netz - Iklectik - London - 31.05.2019.
Bandcamp
Bandcamp Album - Things Comes To Mind
[Compositions 2020]
Composition 2020.01 (Untitled)Composition 2020.01 (Untitled) was produced using wavetable synthesis and Shephard Tones - with the Shephard Tones creating the illusion of the sounds rising in pitch.
Composition 2020.02 (UntitledComposition 2020.02 (Untitled) is based on the hexachord from Arnold Schoenberg’s ‘Ode to Napoleon Op.41’ (1942). The notes of the hexachord are C - C# - E - F - G# - and A.
Composition 2020.03 (Untitled)Composition 2020.03 (Untitled) is based on a tone-cell of C3 - C4 - C#4 - and consists of continuous drones and repeating fading sounds.
Composition 2020.04 (Untitled)Composition 2020.04 (Untitled) is in the form of a. palindrome - and consists of two slowly pulsing drones and fading sounds.
Composition 2020.05 (Untitled) Composition 2020.05 (Untitled) is based on orchestra chords from Edgar Varèse’s composition Déserts (1950-1954). According to Varèse - the title of his composition regards - ‘not only physical deserts of sand, sea, mountains, snow, outer space and deserted city streets - but also distant inner space - where man is alone in a world of mystery and essential solitude.’
Composition 2020.05 (Untitled) was first performed at Corpora Aliena - IKLECTIK [off-site] - 23.09.2020.
Composition 2016.04 (Untitled) was first performed at Poetronica - curated by Pavel Zhagun - National Centre for Contemporary Arts - Moscow - 16.12.2017.
The composition was also performed at Corpora Aliena - IKLECTIK - London - 24.03.2018.
Bandcamp
Composition 2017.02 (Untitled) is sparsely textured - and consists of sinewave-based sounds separated by silence.
Composition 2017.03 (Untitled)
Composition 2017.03 (Untitled) was first performed at an event curated by Phil Durrant - IKLECTIK - London - 11.10.2017.
Composition 2017.04 (Untitled)
Composition 2017.04 (Untitled) was produced digitally using granular synthesis with samples of a flute - and mixes both tonal and non-tonal elements. The tone-cell for the composition consists of: G1 - C3 - D#3 - F#3 - A#3.
Composition 2017.04 (Untitled) was first performed at Corpora Aliena - IKLECTIK - London - 30.03.2019.
Composition 2017.05 (Untitled)
Composition 2017.05 (Untitled) consists of a slowly pulsing drone and alternating fading sounds. There is no allegory - metaphor - symbolism - or personal references to anything other than to the composition that exists as a thing in itself.
Composition 2017.05 (Untitled) consists of a slowly pulsing drone and alternating fading sounds. There is no allegory - metaphor - symbolism - or personal references to anything other than to the composition that exists as a thing in itself.
[Compositions 2018]
Composition 2018.01 (Untitled)
Composition 2018.01 (Untitled) was first performed at Corpora Aliena - IKLECTIK - London - 23.1.2019.
Bandcamp
Bandcamp
Album - Living In The Present Continuous
Composition 2018.02 (Untitled)
Composition 2018.02 (Untitled) is sparsely textured - and consists of a continually repeating tone and fading sounds. The composition is third in the series of Object World compositions that were produced over a eight-year period from 2010 to 2018. The compositions comprise a set of variations - and consist of shared material - with repeating elements that echo each other.
In philosophy - the “object world” can be understood as the external reality that exists independently of our perceptions, thoughts, and consciousness. It refers to the realm of tangible and intangible entities, including physical objects, abstract concepts, and everything that exists beyond the boundaries of individual subjectivity.
Bandcamp
2018.03 (Untitled)
Composition 2018.03 (Untitled) is based on a tone-cell of C - D# - and consists of a continually repeating tone with fading sounds.
Bandcamp
Composition 2018.03 (Untitled) is based on a tone-cell of C - D# - and consists of a continually repeating tone with fading sounds.
Bandcamp
Album - Empty Rooms
Composition 2018.04 (Untitled)
Composition 2018.04 (Unknown Metaphysics) is sparsely textured - and consists of three repeating sounds - pitched at C2 - C3 - and C#3 - separated by periods of silence.
Composition 2018.04 (Unknown Metaphysics) is sparsely textured - and consists of three repeating sounds - pitched at C2 - C3 - and C#3 - separated by periods of silence.
Album - Today Comes From Yesterday
Composition 2018.05 (Violin Stories)
Composition 2018.05 (Violin Stories) was produced in collaboration with the Serbian musician and sound artist Manja Ristić - and is based on samples of a violin.
Composition 2018.05 (Violin Stories) was produced in collaboration with the Serbian musician and sound artist Manja Ristić - and is based on samples of a violin.
In the words of Manja Ristić: Composition 2018.05 (Violin Stories) was conceptualised with pre-recorded violin samples by Manja Ristić. Processed violin sounds build a meditative atmosphere inviting us into a deep listening experience. Suggested by "sonic breathing", drone-like fluctuations and spatial extensions with overall minimal sound movement - and allude to altered state of consciousness that transcend the alteration of space-time perception. The organic sound of the instrument is wrapped in a digital net developing a dense, almost material sonic body.
Composition 2018.08 (Violin Stories) was first performed at Poetronica - Curated by Pavel Zhagun - National Centre for Contemporary Art - Moscow - 21.04.2018
Bandcamp
[Compositions 2019]
Composition 2019.01 (Untitled)
Composition 2019.01 (Untitled) was produced using physical modelling synthesis - and is based on a tone-cell of C1 - C2 - E2 - G2 - D#3. The tones appear in forty tetrachorda - each with a common tone of C (either C1 - C2 - C3 or C4).
Composition 2019.02 (Untitled)
Composition 2019.02 (Untitled) consists of two repeating tones - pitched at C2 - and D#2 - and fading tones at C2 - C3 - and C4.
Composition 2019.02 (Untitled) was first performed at XOLO Space Generators #3 - Curated by Edward Griffiths - London.
Composition 2019.03 (Untitled)
Composition 2019.03 (Untitled) is based on a tone-cell of C3 - F#2 - and consists of noise-based fading sounds separated by silence. At the end of the composition there is a repeating message-like ‘signal’.
Composition 2019.03 (Untitled) is based on a tone-cell of C3 - F#2 - and consists of noise-based fading sounds separated by silence. At the end of the composition there is a repeating message-like ‘signal’.
Composition 2019.03 (Untitled) was first performed at Corpora Aliena - Iklectik - London - 13.07.2019.
Bandcamp
Composition 2019.04 (Untitled)
Composition 2019.04 (Untitled) consists of short bell-like sounds produced by using FM synthesis - and longer fading tones pitched at C1 - C2 - and C3.
Bandcamp
Bandcamp
Composition 2019.05 (Untitled)
Composition 2019.05 (Untitled) consists of two drone elements - one increasing in pitch from C1 to C2 - and one that decreases in pitched from C2 to C1. In addition - that are fading tones pitched at C3.
Composition 2019.05 (Untitled) consists of two drone elements - one increasing in pitch from C1 to C2 - and one that decreases in pitched from C2 to C1. In addition - that are fading tones pitched at C3.
Composition 2019.05 (Untitled) was first performed at the Sonic Electronics Festival - Curated by Laura Netz - Iklectik - London - 31.05.2019.
Bandcamp
Bandcamp Album - Things Comes To Mind
Composition 2020.05 (Untitled) was first performed at Corpora Aliena - IKLECTIK [off-site] - 23.09.2020.
